The Good Girl
59E59 Theaters, Theater C
Anjali works her routine government-issued job as a madam to a sexbot, when maintenance man Ven arrives to find the robot exhibiting unusual--and illegal--human-like behavior. The pair strike up an uneasy partnership--she expands the robot's repertoire of behaviors and he brings in the high-paying clientele. But when the clients start asking for more, Anjali must decide just how far she is willing to go. The Good Girl demanded emotive underscoring, that supported the dramatically shifting story arc.
http://www.joyseekerstheatre.com/#!the-good-girl/ctzx
"The design team for A GOOD GIRL brings the play to life" - Marina Kennedy, BroadwayWorld.com
"Sound design from Julian Evans was eerie, especially with the low rumbles creeping in" - Michael Block, Theater in the Now
"Julian Evans (sound) is superb" - Deborah Heinemen, Berkshire Fine Arts
"A particularly annoying, happy-go-lucky version of “Singing in the Rain,” becomes a menacing reminder of what we have at stake in our personal lives and as social and cultural beings." - Carole Di Tosti, Theater Pizzazz
Review: Laura Collins-Huges, The New York Times
Review: Julie Wosk, The Huffington Post
Review: Marina Howard, NY Theatre Guide
Review: Howard Miller, Talkin Broadway
Review: Courtney Marie, Theater Scene
Review: Natalie Sacks, Charged.fm
Review: J.C. Wright, StageBuddy